Wednesday, February 18, 2009
Designing The Dress by Nicole, Part II: The Shop
In Part I of Designing The Dress by Nicole, I talked about the process my wife and I went through to establish an identity for her new boutique. As challenging as that was, it was nothing compared to what we went through to actually pull everything together. While Nicole was hunting down the latest designers and picking out each and every dress, accesssory, and gift she wanted to carry in her store, we also had to think about how we were going to merchandise everything. Before we could start laying out the store, we of course had to settle on a location.
LOCATION, LOCATION, LOCATION
Early on in this process, my wife knew that she wanted to be part of a thriving community with a lot of foot traffic and of course, no other bridal shops. She didn’t just want to avoid competition, rather it was about filling a need in the area and making sure that she could carry the lines she wanted to carry without encroaching on another shop’s territory. Couple those qualifications with a tight budget for rent and buildout, and it becomes a lot harder to find that perfect space. Eventually we settled on downtown Wheaton, IL, a historic town with a lot of charm and no other dress shops! Now all we needed was to decide on a space.
Initially we focused our efforts on a new building that was still under construction, because a lot of the older spaces needed too much work, and this space came with a generous build-out allowance. I began working on a floor plan that would provide ample space for all the dresses, as well as a private space for bridal fittings apart from the smaller general fitting rooms. Nicole wanted to shelter her brides from the chaos of a large bridesmaid group fitting or a group of teenagers shopping for prom dresses. At the same time, she wanted the sales floor to appear open and uncluttered, so I tried to keep enough space between the fixtures to prevent cluastrophobia.
In keeping with the identity of the store, I chose a mostly black and white color palette. Since purple is my wife’s favorite color, at this stage I also tried to incorporate some purple accents. We had by now been picking up pieces of furniture and various decor accessories here and there, trying to be as thrifty as possible while maintaining a consistent look for all the pieces (thanks craigslist!), so I included a few of them in a 3D model I created to help us visualize the space. Using 3D Studio Max, I was also able to simulate the lighting in the shop using photometric lighting data and mapping out the location of the store to include accurate amounts of sunlight. Enough of that techno-babble, though, here are some pretty pictures...
We're done, right? Nope!
Unfortunately, this space was not meant to be. That generous build-out allowance was quickly swallowed up by the building’s developer, who would have been doing the work. We found ourselves way over budget, and we were forced to move on to other spaces. The good news was that there were several other possibilities in downtown Wheaton, so we only had to go down the street to find our next possible location.
This was a much longer, narrower space, but I was able to make it work. However, it needed a lot of updating, and no matter what we did we couldn’t meet our budget without sacrificing too much of our intended look. Also, due to the strange shape of the space, it was not the most space-efficient, so we would have been paying rent on a lot of unused square footage. Luckily, while we were trying to get the narrow space to work another location became available just a few doors down. As Goldilocks would say, this one was “juuuuust right”...
The location we settled on, 131 W Wesley St, was a corner space with great windows, an original tin ceiling and hardwood floor from 1922, and built-in cabinets with shelves for accessories and hangbars for dresses. The only major renovations we had to do was to build some fitting rooms and finish a small back room. Because the space includes a basement for storage, we were able to utilize every square foot to its full potential. Once we had a layout that we liked, I prepared drawings to apply for a building permit, making sure to comply with all ADA guidelines.
To the built-in cabinets we added crown molding, halogen lighting, and a few coats of black paint. Behind the dresses is a black and white damask wallpaper, chosen over the purple paper in earlier concept renderings because we decided that a more neutral background would be better for multicolored bridesmaid and prom dresses. We painted the walls ivory with black trim. The chandeliers were replaced with pendant lights from CB2, which we wrapped in ribbon and black lace for added drama. A single black and crystal chandelier hangs over the cash wrap. A row of waterfall T-stands and rolling racks runs down the center of the store, led by a round table that greets customers at the entrance of the store.
The back room was converted into a fitting area with two medium-sized fitting rooms and a viewing area. The floor in this room, damaged years ago by a fire, was covered in carpeting, which we replaced with carpet tiles from Interface FLOR. In each fitting room, four black shag carpet tiles create a soft inlaid area rug for bare feet, and a large IKEA Hovet mirror leans against the wall. The final shop design is a quaint and inviting space that retains its vintage charm and hopefully feels right at home in downtown Wheaton.
Next up: Part III of Designing The Dress by Nicole, The Website!
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Tuesday, February 17, 2009
Michael S. Smith | White House Decorator
California native, Michael S. Smith has been chosen by Michelle Obama to redecorate the private quarters of the White House. Click below to learn more about Michael and check out images of Smith's previous work.
I especially enjoy Smith's use of pattern and texture. It adds effortless depth to a room without making it look too busy. His style is both traditional and modern which creates more of an eclectic room.
Michael has his own line of rugs and carpeting...
lighting...
furniture...
and home fragrances. As well as bathroom fixtures and tile.
It seems as though the Obama's have chosen a very well rounded designer for the job. Michael has won many awards such as Designer of the Year by Elle Decor (2003) and Architectural Digest's "The AD 100" in both 2002 and 2004. Some of his celebrity clients consist of Michele Pfeiffer, Steven Spielberg, and Cindy Crawford.
"I am delighted to work with the Obamas as they bring their own energy and style to the residence at The White House," said decorator Michael Smith. "The family's casual style, their interest in bringing 20th Century American artists to the forefront and utilizing affordable brands and products will serve as our guiding principles as we make the residence feel like their home." reported by Lynn Sweet Washington Bureau Chief for The Chicago Sun-Times.
Can't wait to see what he has in store for the White House.
To be continued...
www.michaelssmith.com
www.suntimes.com
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Labels:
art_design,
beth
Monday, January 12, 2009
Sharp Thinking
Recenty Sharpie has released an ad campaign that has allowed passers-by a chance to very publicly take part in an act of “vandalism”. These interactive billboards allow a viewer to pick colors and leave their mark all over cities’ ads, sort of taking the opinion: “Its going to happen anyway, why not facilitate it.”
There are a couple reasons why something like this is/can be so successful, especially in the techno-savvy world we are living in:
One, it allows any ordinary person to feed their inner-desire to vandalize. Honestly, we all know it feels great to do something risky and get away with it. It’s human nature.
Secondly, and more smartly, Sharpie has caught on to this “touch-screen” lifestyle everyone is starting to live. With iPhones and Blackberrys offering the Internet and so many other apps literally at the consumers’ fingertips, touch screens and interactivity have become commonplace. Therefore the interface / framework is more familiar to the average viewer and usability becomes almost natural.
This expands Sharpie’s audience as well as changing advertising and guerrilla type campaigns for competitors, both in the permanent marker business as well as those just competing for the attention of the daily commuter on the city streets.
Source: the cool hunter
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Labels:
adam,
art_design,
Tech
Thursday, January 08, 2009
Movie Title Screens R' Us
This guy, Steven Hill, has collected a countless amount of movie title screens on his website that are really pretty fantastic. From a design and typographic standpoint, the site really highlights what I feel has been an overlooked part of the movie-going experience.
Steven has mainly pulled from his collection, but also takes submissions from faithful viewers. He has collated from all forms of media: dvd, vhs, laserdisc (who knew?). The result is a stunning collection of movies old and new. Scrolling through, its pretty interesting to see where movies have come and gone, sort of the trends of older westerns like this:
To the latest movies that have relied on minimalism:
Either way this site portrays the strength of typography to carry an emotion. Not only what that title is but how it is displayed, what the typeface(s) is/are, can set the mood of the entire movie. In this way the type becomes more than just words. This realization leads to some of the more successful movies because the director is able to create a completely cohesive experience for the audience in which they can immerse themselves entirely into the emotion of the film right from the start. Now, these are the thoughts of a major typophile but if it isn't this deep to you, at least its a fantastic way to spend an hour.
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Labels:
adam,
art_design,
media
Monday, December 29, 2008
Sony Hana-Akari Dye-Sensitized Solar Cells
Sony's Hana-Akari (HANAAKARI) lamp prototype uses dye-sensitized solar cells to turn light into energy. Big breakthrough is not only dye-sensitized cells are cheaper than conventional solar cells, they can also be dyed in different colors and shades.
Sony expects to develop the lamp further so it can also power other small devices attached to it. If you take a look at the image above, you can see a small fan connected to a panel to demonstrate this ability. Slated for a 2009 release, SONY has announced that they have ‘big plans’ for the technology.
Source:http://www.gizmodo.com/
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Sony expects to develop the lamp further so it can also power other small devices attached to it. If you take a look at the image above, you can see a small fan connected to a panel to demonstrate this ability. Slated for a 2009 release, SONY has announced that they have ‘big plans’ for the technology.
Source:http://www.gizmodo.com/
Monday, December 22, 2008
Designing The Dress by Nicole, Part I: The Identity
For the better part of a year, my wife has been working on opening up a bridal boutique. It just so happens that she is married to a retail designer (yes, that would be me), so naturally I’ve been working on everything from the business’s identity to the website to the store’s interior. This is Part I of my story, entitled The Identity.
When most people think of a corporate identity, they think of a logo, perhaps a business card, and maybe even custom stationary. In truth, it goes much deeper than that. For starters, you need a name. Buying a wedding dress is an exciting and emotional time for a bride, so we wanted a name that would reflect that, as well as one that would stand out amongst a list of similar-sounding bridal shop names. Many brides say that they are looking for THE dress, implying both that it is the most important dress she’ll ever wear and that there is just one dress that’s perfect for her. We eventually agreed on The Dress by Nicole because it captures that feeling, and at the same time denotes a friendly, personal touch that you don’t get from big box bridal retailers.
Of course, I began working on the logo before we’d settled on The Dress by Nicole, so as the logo evolved it helped us make a decision. I came up with the idea of including the silhouette of a dress form because Nicole wanted something more “feminine” than simple text, and a dress form fit the bill without being too specific to a single style of dress. Plus, it has a personal significance because it recalls my wife’s background in fashion design.
For the logo’s font, I chose a variation of Goudy Old Style for its graceful lines and good readability. The use of small caps and custom kerning for “The Dress” lends visual weight to the shortened name of the boutique, while the smaller, lower-case lettering in “by Nicole” allows supporting text in the same font to tie back to the logo.
The logo is combined with a tone-on-tone damask pattern in black or white, to create a look that is vintage with a modern twist. In printed materials, wherever possible, the damask pattern is created using clear gloss ink over matte-finished paper. In electronic uses and some printed pieces, the pattern is acheived through the use of a subtle gradient over a black or white background. The pattern is also used on its own to reinforce the brand identity without an overuse of the logo.
Putting it all together... the business card.
Check back soon for Part II of Designing The Dress by Nicole, The Shop!
Read More......
When most people think of a corporate identity, they think of a logo, perhaps a business card, and maybe even custom stationary. In truth, it goes much deeper than that. For starters, you need a name. Buying a wedding dress is an exciting and emotional time for a bride, so we wanted a name that would reflect that, as well as one that would stand out amongst a list of similar-sounding bridal shop names. Many brides say that they are looking for THE dress, implying both that it is the most important dress she’ll ever wear and that there is just one dress that’s perfect for her. We eventually agreed on The Dress by Nicole because it captures that feeling, and at the same time denotes a friendly, personal touch that you don’t get from big box bridal retailers.
Of course, I began working on the logo before we’d settled on The Dress by Nicole, so as the logo evolved it helped us make a decision. I came up with the idea of including the silhouette of a dress form because Nicole wanted something more “feminine” than simple text, and a dress form fit the bill without being too specific to a single style of dress. Plus, it has a personal significance because it recalls my wife’s background in fashion design.
For the logo’s font, I chose a variation of Goudy Old Style for its graceful lines and good readability. The use of small caps and custom kerning for “The Dress” lends visual weight to the shortened name of the boutique, while the smaller, lower-case lettering in “by Nicole” allows supporting text in the same font to tie back to the logo.
The logo is combined with a tone-on-tone damask pattern in black or white, to create a look that is vintage with a modern twist. In printed materials, wherever possible, the damask pattern is created using clear gloss ink over matte-finished paper. In electronic uses and some printed pieces, the pattern is acheived through the use of a subtle gradient over a black or white background. The pattern is also used on its own to reinforce the brand identity without an overuse of the logo.
Putting it all together... the business card.
Check back soon for Part II of Designing The Dress by Nicole, The Shop!
Read More......
Labels:
art_design,
brad,
fashion
Thursday, December 18, 2008
Holiday Store Design: ANTHROPOLOGIE
I am always impressed with the way Anthropologie re-invents their store every season/holiday. They are especially creative with their use of materials; such as ribbon, colored rope, paper chains, nuts, painted wood chunks. Click below to see some of their ideas for holiday store design from coast to coast. (store images taken from NYC and Southern California)
Each display is very detail oriented. The pictures below show a frosted window that was made personal with the use of a pencil eraser.
Paper chains were also put to use. Perhaps something that you would have made in grade school to bring home to Mom, but works rather well in this imaginative store.
Below is a fun use of cardboard with colored ornaments nested in the loops to perfectly accent the clothing displayed underneath.
And last, but not least, the holiday garland.
Now maybe you’ll be inspired to create fun holiday decorations for your home. Anthropologie’s website claims that they have “a love for making things that inspire the imagination”. I believe they achieve their goal each and every time there is a new display.
www.designspongeonline.com
http://ruthiauda.com/blog/
www.anthropologie.com
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Labels:
art_design,
beth
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